The Structure of the Artistic Text by Yuri M. Lotman, , available at Book Depository with free delivery worldwide. SLA VIC CONTRIBUTIONS. JURIJ LOTMAN. THE STRUCTURE OF. THE ARTISTIC TEXT. Translated- from the Russian. by Gail Lenhoff ana Ronald Vroon. MICHIGAN SLA VIC CONTRIBUTIONS JURIJ LOTMAN THE STRUCTURE OF THE ARTISTIC TEXT Translated” from the Russian by Gail Lenhoff and Ronald V .
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Lightweight Theme by Artur Kim. No library descriptions found. Lotman graduated from secondary school in with excellent marks and was admitted to Leningrad State University without having to pass any exams. Demobilized from the army inhe returned to his studies in the university and received his diploma with distinction in Views Read Edit View history.
His archive which is now kept at the University of Tallinn and at the Tartu University Library which includes his correspondence with a number of Russian intellectuals, is immense. Poetry activates the full body of the signifier, presses the word to work to its utmost under the intense pressure of surrounding words, and so to release its richest tue.
Even the absence of certain devices may produce meaning: Yuri Lotman’s wife Zara Mints was also a well-known scholar of Russian literature and Tartu professor.
The literary work, indeed, is a continual generating and violating logman expectations, a complex interplay of the regular and the random, norms and deviations, routinized patterns and dramatic defamiliarizations. Recently added by hnsvljnMarioCortipetronius86t.
Google Books — Loading Lotman has learned the lessons of reception theory well. The Structure of the Artistic Text. Biosemiotics Cognitive semiotics Computational semiotics Literary semiotics Semiotics of culture.
The Structure of the Artistic Text
If two words are associated together because of their similar sound or position in the metrical scheme, this will produce a sharper awareness of their similarity or difference of meaning. Differences and parallelisms in the text are themselves relative terms, and can only be perceived in relation to one another.
The meaning of the text is not just an internal matter: For more help see the Common Knowledge help page. Sign relation relational complex. Wikipedia in English None.
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They have three sons:. Wikimedia Commons tne media related to Yuri Lotman. His professors at university were the renowned lecturers and academicians — GukovskyAzadovskyTomashevsky and Propp.
Lotman Jurij. The Structure of the Artistic Text [PDF] – Все для студента
Your use of the site and services is struxture to these policies and terms. Artisttic must log in to edit Common Knowledge data. Yuri Mikhailovich Lotman Russian: There he studied philology, which was a choice he made due to Lidia Lotman’s university friends actually he attended university lectures in philology whilst he was still at secondary school.
References to this work on external resources. Despite this unique verbal richness, Lotman does not consider that poetry or literature can be defined by their inherent linguistic properties. This page was last edited on 9 Septemberat In other projects Wikimedia Commons. InLotman coined the term semiosphere.
It is the most complex form of discourse imaginable, condensing together several systems each of struccture contains its own tensions, parallelisms, repetitions and oppositions, and each of which is continually modifying all of the others. In these fields, Lotman has been one of the most widely cited authors.
Catalog Record: The structure of the artistic text | Hathi Trust Digital Library
A poem, in fact, can strutcure be re-read, not read, since some of its structures can only be perceived retrospectively. As a result of their collective work, they established a theoretical framework around the semiotics of culture. Home Groups Talk Zeitgeist. Revzin and Georgii Lesskis. Bust of Yuri Lotman by Lev Razumovsky, His elder sister Inna Obraztsova graduated from Leningrad Conservatory and became a composer and lecturer of musical theory, his younger sister Victoria Lotman was a prominent cardiologist, and his third sister Lidia Lotman was a scholar of Russian literature of the second half of the 19th century structkre staff at the Institute for Russian Literature of the Russian Academy of Science Pushkin House she lived in Saint-Petersburg.
In poetry, it is the nature of the signifier, the patterns of sound artistif rhythm set up by the marks on the page themselves, which determines what is signified. The number of his printed works exceeds titles.