View credits, reviews, tracks and shop for the CD release of おくりびと オリジナル・サウンドトラック (Okuribito Original Soundtrack) on Discogs. Original Soundtrack (Music by Joe Hisaishi),Departures (Okuribito) Original Soundtrack,CD Album listed at CDJapan! Get it delivered safely by SAL, EMS. Memory – Okuribito (Departures) Soundtrack By Joe Hisaishi. 60, views. Similar Songs. 1. It Must Have Been Love – Kathleen Edwards. It Must Have Been .
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Yamagata News Online staff 22 February Retrieved 24 May Retrieved 18 July Tsotsi — Gavin Hood Box Office Mojo staff. From a hundred candidates, Takita chose it for its atmosphere as an aged building with a clear view of the nearby river and surrounding mountain range.
Maeda attributed the film’s international success, despite its heavily Japanese content, to its clear depiction of Japanese views on life and okkribito. Z — Costa-Gavras Yamagata Community Shinbun staff 22 May La Strada — Federico Fellini Archived from the original on 29 November Archived from the original on 11 June Eiga Judge in Japanese.
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Black Orpheus — Oouribito Camus Meanwhile, Kevin Maher of The Times described Departures as a ” verklempt comedy” with wearisome “push-button crying”, though he considered it saved by the quality of the acting, “stately” directing, and “dreamy” soundtrack. Ebert, Roger 5 December Yamagata News Online in Japanese.
War and Peace — Sergei Bondarchuk The Virgin Spring — Ingmar Bergman Retrieved from ” https: Cinema Topics Online staff 20 January Archived from the original on 17 April Japanese Association of Independent Television Stations 9: Daigo is alienated from his wife and friends owing to traditional values.
Kyodo News Staff 24 February Iwata, Mayuko 12 September Archived from the original on 15 June Tanabe, Hideyuki 2 March Daigo finds an advertisement for a job “assisting departures”.
Amour — Michael Haneke Safety fears due to the building’s age led to the Sakata municipal government ending the organization’s lease, and the building was closed again at the end of March Nomura, Masaaki 15 September Byrnes found that Departures used the symbol of the cherry blossoma flower which blooms after the winter only to wither soon afterwards, to represent the transience of life; through this understanding, he wrote, Japanese people attempt to define their own existence.
Retrieved 8 June Motion Picture Producers Association of Japan. Retrieved 24 June The New York Times. Shoeshine — Vittorio De Sica