Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. By Kent Kennan. Trumpet Part(s). A B-Flat Cornet (Trumpet) solo with piano accompaniment composed by Kent Kennan. This title is available in SmartMusic. Buy Sonata for Trumpet and Piano (Trumpet Solo w at Trumpet Sheet Music. A great and Piano. Kent Kennan – Alfred Publishing Co., Inc.
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Leave a Reply Cancel reply Enter your comment here The coda only uses kennzn of the first theme with a modified rhythm Dearden Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden The return of the first theme is very similar to the first time it is stated, but it is transposed down a half step and the piano accompaniment is different Dearden Kennan composed his last major work in at the age of 43 and largely abandoned composition, writing only occasional small pieces and devoting himself to teaching and educational writing.
The second theme has the same character as the first theme, but it is melodically based on the intervals of triads instead of the main motive that is introduced in the first movement Dearden This movement also has a short closing theme Dearden It returns to the original tempo and centers around E-flat once again Dearden You can help Wikipedia by expanding it. The Recapitulation All of the themes from the exposition are written in the recapitulation Dearden The main motive that was introduced in the first movement appears frequently in this theme Dearden The last time that the first theme returns, it is in an inverted form and played in the piano while kennann trumpet is playing something totally different Dearden The piano part during this first theme is mostly comprised of chords that are moving in patterns that are traditional chord progressions Dearden It is also oennan shorter Dearden You can follow any responses to this entry through the RSS 2.
The first theme then returns, once again, but it is altered much more than it was when it was stated the second time Dearden Views Read Edit View history. Retrieved 8 June The first theme is played by the trumpet and is muted Dearden This first theme is full of mixed meter, often using asymmetric meters, which is characteristic of the 20 th century style of composing Dearden The second movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden This motive will be repeated in many different ways throughout the course of the entire piece Dearden In the coda, the trumpet is playing with trumoet harmon mute and playing G, the dominant of C, until the last measure, when the line finally resolves to kennab tonic Dearden This made the piece much easier to perform McNamara A large portion of the movement is based on this theme Dearden This first statement begins in minor, goes through Phrygian, and ends in major Dearden This section is distinct from the others in this movement because it is the only section that is not muted Dearden Retrieved from ” https: From Wikipedia, the free encyclopedia.
The secondary theme is lyrical, with no fanfares, and in minor Dearden His compositions include works for orchestrachamber ensemble and solo instrument as well as songs and choral music. This page was last edited on 8 Novemberat The Coda The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden The first movements are both in Sonata-Allego form, the second movements are in Three Part Song form, and the third movements are in Rondo form, causing them to both have the same overall structure as well McNamara His trumpdt Counterpoint and The Technique of Orchestration kemnan been widely used as classroom texts.
Movement II — Rather Slowly and with Freedom The second movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden When trumet trumpet part has a long note or rests, the piano has a more elaborate part to keep the music interesting Dearden He learned to play the organ and the piano and received degrees in composition and music theory from the University of Michigan trumper the Eastman School of Music.
The rest of this movement is based largely around this main theme Dearden Create a free website or blog at WordPress. Then a short transition leads into a restatement of the third theme, but this time the soprano line of the chorale is played by the trumpet and the bottom three voices are not being played Dearden The Development The development begins after a short transition from the exposition Dearden Movement III — Moderately Fast, with Energy Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden