Guillaume Dufay. Ave Regina caelorum, antiphon for 4 voices. Composition Information ↓; Description ↓; Appears On ↓. Share on. facebook · twitter · tumblr. Guillaume Du Fay. Opera Omnia 01/ Ave Regina caelorum 3. Edited by Alejandro Enrique Planchart. Marisol Press. Santa Barbara, Guillaume Du Fay. Opera Omnia 03/ Missa Ave regina caelorum. Edited by Alejandro Enrique Planchart. Marisol Press. Santa Barbara,
||14 June 2012
|PDF File Size:
|ePub File Size:
||Free* [*Free Regsitration Required]
Die innigste Anrufung der Jungfrau dieser CD ist die letzte: Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. Supremum est mortalibus bonum. Vale, valde decora Et pro nobis sancte Christi exora. Gregorian Based Choral Masterworks. Rejoice, glorious virgin, beautiful above all others.
Still, as Dufay and his contemporaries became more adept at the new genre of the four-voice, cyclical cantus firmus mass, their attention was occupied less by the sheer constructional demands of cantus firmus integration and focused more on the genre’s expressive possibilities. Salve radix sancta, ex qua mundo lux est orta, Miserere, miserere genetrix domini ut pateat porta coeli debili.
Introspection Late Night Partying. For more information, contact us at the following address: Scott Villard submitted Ave regina caelorum composer.
Ave Regina coelorum a 4 (Guillaume Dufay) – ChoralWiki
Lest we may be damned on high, have mercy on us and aid us, that in the hour of our abe our hearts may be beautiful. Ave regina caelorum Ave domina angelorum Miserere tui labentis Dufay Ne peccatorum ruat in ignem fervorum.
Ave Regina coelorum one of 3 settings Composer: The original parts have wide tessituras, leaps, and crossing lines, and I think it can be a little intimidating for some singers. I hope that this version puts the piece within reach of more choirs because it’s really interesting music with unusual by today’s standards harmonies.
Romantic Evening Sex All Themes. To be sure, its use of the tenor cantus firmus holds the entire polyphonic structure together and lends the motet its overall shape. The motet Ave regina caelorum is among the most beloved works in Dufay ‘s oeuvre, and historically a favorite among the rich body of fifteenth century polyphony.
Ave Regina coelorum I (Guillaume Dufay)
It is almost as if Dufay is consciously appealing to the prayers—and sensibilities—of a future age, one which, like presumably his own, could not fail to miss the poignancy of his utterance.
It is illegal to copy and distribute our copyright-protected material without permission. The Binchois ConsortAndrew Kirkman conductor.
Whereas in Dufay ‘s famous Nuper rosarum flores fromfor example, the tenor is rendered in long notes that serve as a kind of undergirding, the tenor in Ave regina is given a more clearly defined rhythmic profile, one that embeds it more seamlessly within the overall polyphonic fabric. Views Read View source View history. This sung prayer has long occupied a prominent place in western music history on account of the deeply expressive nature of its utterance, clearly audible to us more than five centuries after its composition.
Go to the text. Even more startling than the personal tropes, added to the standard words of the Marian antiphon, is the nature of their musical settings. Hyperion offers both CDs, and downloads in a number of formats. June Deletion date: Gaude gloriosa Super omnes speciosa. In both interpolations, which are punctuated by unexpected shifts rufay C minor, Dufay makes the devotional tone of the motet a deeply personal one: Original text and translations Original text and regiha may be found at Ave Regina caelorum.
Track-specific metadata for CDH track Web page content is available under the CPDL copyright license ; please see individual editions for their copyright terms.